Listening to or playing the Inventions, the Sinfonias, and naturally the 18 little preludes on this recording, we must be aware that a deepening of the intellectual content of the music, and thus its immanent transcendent meaning, is only possible if we combine the feelings and their intensity with constructive musical ideas. For this art (and this is particularly true of the oeuvre of J. S. Bach) can truly only be understood through the imitation of the work of God. Creation without invention is impossible. But what do we mean by invention? Invention is the sustaining of ideas, the intuiting of things as they appear at a higher level than that of experience, and the physical and metaphysical polar balance of perceptible forms is restored. When the inaudible becomes audible, when the maestro visits the heavens, and there he takes notes on the valid musical forms he will follow down here on Earth. (by Salamon Kamp)

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