Uniting four musicians from different backgrounds, Chemin Neuf promises an extraordinary concert experience. Judit Rajk, with her enchanting voice, has for decades been recognised as an expert on pre-classical music, both in Hungary and abroad. Ditta Rohmann is perhaps best known for her highly unusual Baroque solo sonata recitals with cello and vocal improvisations, while Tamás Zétényi is one of the leading Hungarian stakeholders of the interpretation of contemporary music. This time, composer-guitarist Gábor Gadó's unique universe fuses with the worlds of early music, Baroque and contemporary music. Gadó's use of modal traditions and tonal harmonies is extremely intimate, partly because he has also developed a unique relationship with the great artistic and spiritual movements of Central Europe, as well as with Eastern mysticism.

The 14 strings of the two cellos and the guitar are played at roughly the same pitch, forming an almost otherworldly beautiful blend with the alto voice, which is also deep and warm in tone. The programme arches from modal liturgical early music, through Gregorian chant and and the baroque tradition culminating in Bach, to Liszt, considered the forerunner of modern music. From there, it moves through Kurtág to Miles Davis' controlled freedom, which is free of any system, not even fixed in a score.